Tiltfactor Labs, the game design group led by Professor Mary Flanagan, will be featured during Winter Term in the Film & Media Studies Gallery (2nd Floor, Atrium, Black Family Visual Arts Center). The interactive exhibit describes what Tiltfactors mission is as well as how the games they design come into being. Several games are on display, to be explored and enjoyed by visitors. The exhibit is open Monday through Friday, 9 AM through 5 PM....

Emmy Award-nominated duo Ricki Stern ’87 and Annie Sundberg ’90 explore the deeply personal stories of three families of bombing survivors in Marathon: The Patriots Day Bombing, which will premiere November 21st on HBO. Read more about the filmmakers, the film, and their Dartmouth alum crew, in this Dartmouth Alumni article....

Tiltfactor Labs opened its doors to the public on Wednesday November 9th, presenting a myriad of game systems and discussing the theories behind them.

Students of Film Studies 35 Animation will present their works on Tuesday, November 15th at 7PM in the Loew Auditorium, Black Family Visual Arts Center

Don't miss this night of student documentaries produced in Film Studies 30 Documentary Video on Wednesday, November 9th at 7PM in the Loew Theater, Black Family Visual Arts Center...

Dartmouth's game design and research lab invites the community to visit their space and play games created at Tiltfactor: web games, card games- even room escape games! Tiltfactor will also debut their two new crowdsourcing projects: Crowded Dungeon and r-kive....

Famed DVD producer and silent classics historian David Shepard will speak on his tireless work to preserve world cinema in the Black Family Visual Arts Center's Loew Theater on Monday, November 7th at 7 PM....

Amherst College scholar rethinks female authorship using Hollywood actress turned producer-director Lupino’s first film Not Wanted (1949)......

Film and Video Colorist Jamie Dickinson will lead a workshop in the Visual Arts Center's Digital Lab on October 25 at 5PM. Don't miss this opportunity to learn how color dynamically enhances the impact of visual media...

“ Christine is a film that’s on the border between horror and—something. Maybe pathos,” screenwriter Phillips says......