Gerd Gemünden is the Sherman Fairchild Professor of the Humanities, and Professor of German Studies, Film and Media Studies, and Comparative Literature.

He studied German, English and Philosophy at the University of Tübingen and Comparative Literature at the University of Oregon (Ph.D. 1988). His specialties include critical theory and cultural studies, the history and theory of German cinema, Latin American and global art cinema, an the study of exile, migration and diaspora. He is the author of Die hermeneutische Wende: Disziplin und Sprachlosigkeit nach 1800 (1990); Framed Visions: Popular Culture, Americanization, and the Contemporary German and Austrian Imagination (1998), and A Foreign Affair: Billy Wilder's American Films (2008 - also published in Austria as Filmemacher mit Akzent: Billy Wilder in Hollywood). His volumes as editor include Wim Wenders: Einstellungen (1993); The Cinema of Wim Wenders (1997); Germans and Indians: Fantasies, Encounters, Projections (2002); Dietrich Icon (2007); and Culture in the Anteroom: The Legacies of Siegfried Kracauer (2012). He serves on the editorial board of New German Critique and Film Criticism and is co-editor (with Johannes von Moltke '89) of the series "Screen Cultures" for Camden House and their German Film Classics series.

Continental Strangers: German Exile Cinema, 1933-1951 (Columbia University Press, 2014) investigates the contribution of German-language filmmakers to the Hollywood studios during their exile from Nazi Germany.

His latest book is Toni Erdmann (Camden House, 2021).

In recent years, his focus has shifted to global art cinema, particularly from Latin America. Together with his wife, Silvia Spitta (Professor of Spanish and Portguese), he has developed the course "Migration Stories," which takes a comparative look at immigrants, refugees and asylum seekers coming to Europe and to the United States. He has also developed a course on recent Latin American cinema, and he has begun attending film festivals in Havanna, Lima, and Cusco. In 2019, he published the first English-language monograph on Argentine director Lucrecia Martel (University of Illinois Press). His is currently working on a book-length monograph, tentatively titled "Ghost Cinema: Realism and the Supernatural in Recent Latin American Film." Over the last years, Gerd has conducted a number of interviews with Latin American women directors (in collaboration with Silvia Spitta), including Lucrecia Martel, Tatiana Huezo, Alejandra Márquez Abella, and Lola Arias.

Since 1995, Gerd has been covering the Berlin Film Festival for Film Critcism. His review of the 2024 Berlinale can be found here.