New Book by Film & Media Studies Alum, Noah Tsika '05

African Media in an Age of Extraction takes a fresh, site-specific look at the relationship between moving images and the mining of natural resources, arguing that where we "place" Nollywood and other industries has important practical and conceptual consequences. Such locations are not just spatial metaphors but also tangible geographies with material connections to extractive economies. Sites of film production are often spaces of oil prospecting, timber harvesting, and mineral extraction—natural environments continuously transformed by capital. African Media in an Age of Extraction links such absolute spaces—reclaimed lands, razed forests, petroleum zones, abandoned coal mines collecting moss, vast tin fields inspiring illegal dredging by populations locked out of the licit economy—to the abstract and lived dimensions of film villages, shooting locations, and exhibition centers. The geographies of African media industries are not fixed locations cleanly separated from surrounding areas or from the wider world (including Hollywood), nor are they fully detachable from the mineral and hydrocarbon resources that also define them. Considering multiple scales—the local, the national, the regional, the continental, the planetary—this book takes stock of the physical terrain and extractive objects that Nollywood shares with other industries and that structure screen media more broadly. Topographies, political economies, national identities, and natural resources are entwined in ways that cinema makes intelligible and that carry the potential to transform the way we see the medium itself.

Professor Tsika is the author of nine books, including African Media in an Age of Extraction: Nollywood Geographies (Amsterdam University Press, 2025), Cinematic Independence: Constructing the Big Screen in Nigeria (University of California Press, 2022), and Screening the Police: Film and Law Enforcement in the United States (Oxford University Press, 2021). His book Traumatic Imprints: Cinema, Military Psychiatry, and the Aftermath of War (University of California Press, 2018) was a finalist for the Richard Wall Memorial Award from the Theatre Library Association, and his book Nollywood Stars: Media and Migration in West Africa and the Diaspora (Indiana University Press, 2015) was named a Choice Outstanding Academic Title. His work has appeared in numerous anthologies and in such journals as Black Camera, Journal of African Cultural Studies, Journal of African Cinemas, African Studies Review, and WSQ. His research has been supported by the Mellon Foundation and includes film history and historiography, African studies, documentary studies, postcolonial theory, and queer theory.