- LA DSP (FILM 46.09-90, FILM 47.17-90, and FILM 80-90) - I. Kwayana
- FILM 3 - Introduction to Digital Arts and Culture - J. Bell - 2A
[[{"fid":"20116","view_mode":"dart_wysiwyg_fullwidth","fields":{"alt":"film","class":"media-element file-dart-wysiwyg-width-300","data-delta":"7","format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"7":{"alt":"film","class":"media-element file-dart-wysiwyg-width-300","data-delta":"7","format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"7"}}]] - FILM 7.19 (FYS) American Silent Film Comedy - J. Rapf - 2A
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[[{"fid":"20121","view_mode":"dart_wysiwyg_fullwidth","fields":{"alt":"film","class":"media-element file-dart-wysiwyg-width","data-delta":"8","format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"8":{"alt":"film","class":"media-element file-dart-wysiwyg-width","data-delta":"8","format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"8"}}]]
- FILM 21 - Film History II (1930—60) -M. Williams - 10A
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[[{"fid":"20206","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"25":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"25"}}]]
- FILM 31 - Filmmaking I - - Shevaun Mizrahi - 2A
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[[{"fid":"20211","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"26":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"26"}}]]
- FILM 33 -Writing for the Screen I - B. Phillips (IP) - 10A
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[[{"fid":"20216","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"27":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"27"}}]]
To request permission and submit materials, email Prof. Bill Phillips at William.F.Phillips@Dartmouth.EDU
- FILM 40 -Theories and Methodologies of Film and Media Studies -M. Williams - 3A
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[[{"fid":"20221","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"28":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"28"}}]]
- FILM 42.21/ AAAS 68.08 Afro/Black Paris in Film and Life - Keaton
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[[{"fid":"20226","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"29":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"29"}}]]
- FILM 43.02/ WGSS 56.03/ SPAN 63.10 Family Matters: Pedro Almodóvar, Gender Reversals, and New Communities - A. Martín -12
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[[{"fid":"20231","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"30":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"30"}}]]
- FILM 46.07 - Television and New Media - M. Roberts -
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[[{"fid":"20236","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"31":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"31"}}]]
- FILM 47.02 - Theory and Practice of Editing - Shevaun Mizrahi - 3B
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[[{"fid":"20241","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"32":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"32"}}]]
- FILM 48.03/WGSS 57.01/QSS30.19- Data and Bodies - J. Wernimont - 10A
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[[{"fid":"20246","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"33":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"33"}}]]
- FILM 48.04/WGSS 66.02/QSS 30.21 - Social Justice and Computing - J.Wernimont - 2A
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[[{"fid":"20251","view_mode":"dart_wysiwyg_fullwidth","fields":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":"","field_file_caption[und][0][format]":"plain_text"},"type":"media","field_deltas":{"34":{"format":"dart_wysiwyg_fullwidth","alignment":"","field_file_image_alt_text[und][0][value]":"film","field_file_caption[und][0][value]":"","external_url":""}},"attributes":{"alt":"film","class":"media-element file-dart-wysiwyg-fullwidth","data-delta":"34"}}]]